Throughout my career, I’ve been fascinated by how stories create the way we understand reality — narrative dictates who is seen and how, and how audiences respond emotionally to them. That question has guided my work for more than twenty years — creating live events, documentaries, podcasts, and institutional storytelling, and into doctoral research on Latino and Latinx screenwriters in Hollywood.
Today, that work has evolved into The Prism™ — a framework for helping organizations understand, create, and evaluate media.
I work as a collaborator, building teams of researchers, editors, producers, translators, voice-over artists, recording studios, location scouts, cinematographers, and actors around every project. I have taught at UNAM for 12 years — screenwriting, storytelling, and intercultural communication. Based in Mexico City, collaborating with organizations anywhere in the world.
Short films, public television (Canal 22) and large-scale live events.
Teaching at UNAM while working in the industry — each side feeding the other.
Writers’ rooms for public-TV science programming, corporate events and global brands.
Podcasts and nonfiction: Y sin embargo se mueve, Rifadxs.
Doctoral work on Latino screenwriters in Hollywood; public speaking at US universities and global companies.
The framework that organizes it all — analysis, creation, evaluation.
Contributor with the chapter "Sobre la Bestia se llega a la Jaula de oro" in Y tú, ¿cómo cruzaste la frontera? Narrativas de la migración — Centro de Investigaciones sobre América del Norte (CISAN-UNAM), 2019.
○ Oxford Brookes University — Migration Summer School Scholarship
○ Latin American Studies Association — Speaker Grant
○ Berlinale Talent Campus Guadalajara — Selected participant
○ IMCINE, Mexico’s National Film Institute — Screenwriting Grant (Documentary)
○ IMCINE, Mexico’s National Film Institute — Screenwriting Grant (Fiction Feature)
What story are you trying to get right?